|Betsy Jolas, born in Paris
in 1926, is the daughter of translator Maria
Jolas and poet and journalist Eugène Jolas, founder of the well
literary magazine "transition", in which James Joyce's Finnegans
Wake was published under the heading work in progress.
She came to the U.S. in 1940, completed her general schooling, then
started studying composition with Paul Boepple, piano with Helen
Schnabel and organ with Carl Weinrich.
After graduating from Bennington College, Betsy Jolas returned to Paris in 1946 to continue her studies with Darius Milhaud, Simone Plé-Caussade and Olivier Messiaen at the Conservatoire National Supérieur de Musique of Paris.
Prize winner of the International Conducting Competition of Besançon (1953), she has since won many awards, including Copley Foundation of Chicago (1954), ORTF (1961), American Academy of Arts (1973), Koussevitsky Fondation (1974), Grand Prix National de la Musique (1974), Grand Prix de la Ville de Paris (1981), Grand Prix de la SACEM (1982). Betsy Jolas became a member of the American Academy of Arts and Letters in 1983. In 1985 she was promoted to Commandeur des Arts et des Lettres. In 1992 she received the Maurice Ravel Prix International and was named "Personality of the Year" for France. In 1994 she was awarded the Prix SACEM for the best première performance of the year for her work Frauenleben. She was elected to The American Academy of Arts and Sciences in 1995 and made Chevalier de la Légion d'Honneur in 1997. From 1971 to 1974 Betsy Jolas replaced Olivier Messiaen at his course at the Conservatoire National Supérieur de Musique of Paris and was appointed to the faculty in 1975.
She has also taught at Tanglewood, Yale, Harvard, Mills College (Darius Milhaud chair), Berkeley, USC and San Diego University, to name a few. Her works, written for a great variety of combinations, have been Widely performed throughout the world by first class artists such as Elisabeth Chojnacka, Kent Nagano, William Christie, Claude Helffer, Kim Kashkashian, and by leading groups : The Boston Symphony Chamber Players, the) Concord Quartet, the Domaine Musical, the Percussions de Strasbourg, the Lincoln Center Chamber Music Society, the London Sinfonietta, the Ensemble Intercontemporain, the Philharmonia, etc.
Twelve of her works have been recorded for EMI, Adès, CRI, Erato, Barclay, several of which have been the recipients of grand prize gramophone awards.
This interview was recorded on the telephone on July 17,
1991. Portions were used (along with recordings) on WNIB later
that year and again in 1996. The
transcription was made and posted on this website in 2009.
To see a full list (with links) of interviews which have been transcribed and posted on this website, click here.
Award-winning broadcaster Bruce Duffie was with WNIB, Classical 97 in Chicago from 1975 until its final moment as a classical station in February of 2001. His interviews have also appeared in various magazines and journals since 1980, and he now continues his broadcast series on WNUR-FM, as well as on Contemporary Classical Internet Radio.You are invited to visit his website for more information about his work, including selected transcripts of other interviews, plus a full list of his guests. He would also like to call your attention to the photos and information about his grandfather, who was a pioneer in the automotive field more than a century ago. You may also send him E-Mail with comments, questions and suggestions.